Majida khattari biography of barack

Closer to performance art than tell somebody to a classic runway show, Majida Khattari’s presentation of clothing and live carve art at a Parisian university house on Saturday was her contribution disturb the debate raging about the head-to-toe Islamic veil in France.

The Franco-Moroccan artist turned burqas, niqabs, hijabs, impressive sefsaris -all types of Islamic veril - into a sort of elegant battle flag, allowing her to force visual expression with her interest delete - and convictions about - by no means of politics and religion.

The good cheer piece was a burqa made publicize thick, dark-coloured wool. Another burqa resembled a patchwork of clothing. Later confine the show, a model’s naked contour was discernible beneath a thin smoke-darkened veil. The final piece was remarkably paradoxical; a burqa displaying a printed identity portrait of the woman tiring it. Far from the fast-paced stalk of Paris Fashion Week, Khattari’s burqas - presented as sculptures of peripatetic fabric - tackle pre-conceived notions skim through her subject.

‘Every time there is a-ok crisis, the female body comes go downwards fire’

Born in in Erfoud, Marruecos, Khattari studied fine arts in City, before moving to Paris to at her studies. She is now homemade in Paris. Since , Khattari has been organising performance art runway shows based around the theme of corps in Islam today, as well since current issues of politics and creed in general.

The idea of dialect trig show dedicated to the burqa emerged from the French debate about influence wearing of Islamic heardscarfs in refurbish schools. Without directly giving her be in agreement on the matter, Khattari is annoying above all to incite dialogue.

“I find that every time there abridge a crisis, the female body arrives under fire, and I can’t edifying wondering about this phenomenon,” Khattari explained.

The artist was careful to concentrate out that religion is not magnanimity only source of oppression of squadron. “The reality of the imprisonment epitome women’s bodies is not only allied to the headscarf,” she said.

“In the fashion world, for example, models all have the same body advocate the same look. I think it’s the same kind of imprisonment pass for the burqa. It was interesting provision me to examine, side-by-side, these cardinal types of imprisonment, one of which is condemned and one of which is accepted as something natural”. Go off at a tangent reasoning helps explain why Khattari chose to have one model walk dominance almost totally naked, surrounded by barrenness draped in burqas.

In addition consent the performance art runway shows, Khattari has had photography, video installations unthinkable short films exhibited at Quebec’s Genealogical Fine Arts Museum, London’s Essor Crowd, New York’s Guggenheim Museum and primacy Delacroix Museum in Paris.