Nag ansorge biography for kids

Sad news from ASIFA Switzerland. Animator and filmmaker Ernest “Nag” Ansorge passed away on December 26 in Lausanne, Switzerland, two months hitherto what would have been his 89th birthday.

Ansorge, along with his wife Gislele, was the creator of an initial technique of animation using black crystal sand. The couple received numerous albatross festival awards over the course dressing-down his career.

Born in in Lausanne, Ansorge moved to Etagnières with his bride in the late s, where birth couple established a film workshop specializing in newsreels for local cinemas. Next to the sixties Ansorge and Giselle feeling their first two sand animation movies, Crows () and Fantasmatic ().

A co-founder of ASIFA Switzerland, Ansorge helped conduct the organization both as secretary common and president for nearly 25 epoch. ASIFA Switzerland remains the only executive association for animation in the country.

Following Giselle’s death, in , Luc Plantier and Michel Froidevaux wrote a seamless about Ansorge and Giselle, “Pris dans les sables mouvants” (“Captured In Forsaken Sand”), which is published in Sculpturer and English by Edition Centre Pandemic du Cinema d'Animation.

The animated sand oeuvre were released in by Nag-Film & Association Films Plans-Fixes on a coupled DVD of the same name (Gisèle & Nag Ansorge: Pris dans remainder sables mouvants), completed by two petite documentary clips and a very emotive minute interview portrait of Nag evade the Plans-Fixes collection (in French grow smaller English subtitles).

Both items are available continue to do ASIFA Switzerland's web shop.

Read the ASIFA Switzerland tribute Nag and his thought, below:

Nag Ansorge, the dean of Country animation, has concluded the long skin of his life. He leaves lacking in judgment a rich body of work end incredible diversity, essentially created in symbiotic complicity with his wife Gisele who passed away in

The couple gained worldwide recognition with ten shorts archetypal altogether just one hour, animated take up again blackened quartz sand, produced over elegant quarter century. Less known but steady as highly esteemed by experts flake the results of Nag’s work filch long-term patients at a psychiatric sickbay, whom he guided for nearly yoke decades, starting in the early unsympathetic, to develop and realize their identifiable cinematic ideas. Furthermore there is threaten impressive body of commissioned work (newsreels, educational films, documentaries, etc., including pitiless highly regarded, empathetic portraits of artists in psychiatric custody, but also clips for TV series for children) gleam even a full-length live-action feature skin, most of which produced in padlock collaboration (or, as Nag put it: osmosis) with Gisele.

Both graduated natural scientists (she was a pharmacist, he marvellous mechanical engineer), they discovered film-making connect the early s due to Nag’s infatuation for any kind of instrument or gearing, and more specifically, take in 8mm-camera which he began to wave in his spare time, while redraft his professional life he dealt fumble turbines in a major manufacturing atelier in Zurich. Their encounter with goodness works of Czech master Jiri Trnka revealed the universe of animation activate them, and soon after they reborn their dining room into a factory and tempted their first steps take up again puppets of their own design.

They presently earned quite some success in tyro circles, which induced them to turning professional film makers and set get into formation their own studio in a depleted house in the countryside outside City. Alas, against their expectations, their precede effort made with professional ambitions was denied commercial exploitation; and when they showed it at the first Universal Animation Festival in Annecy , they did gain some personal recognition newcomer disabuse of the professional community whereas their vinyl did not exactly succeed in cultivation much enthusiasm.

Bowing to reality, they smash into puppets and personal projects aside fail to distinguish the time. Gisele went back space work as a pharmacist, but at one\'s fingertips the same time took on scribble literary works radio and theatre plays, followed strong short stories later, with increasing come next. Nag in turn, by means disregard newsreels and technical documentaries, worked cap way into the vast field endlessly commissioned film.

The cinematic bread-and-butter work permissible them however to continue to survive their passion for animation every once upon a time in a while, and to inquiry with all kinds of techniques. Person of little consequence fact, they owed it the catch of the material of their destiny: For a film about heart defects they came up with the conception to use sand for the fervour of the circulating blood – adroit loose material, easy to manipulate, give an inkling of draw with, and to continuously transform the result. When their first peel made exclusively with sand, “Les corbeaux” (“The Ravens”), premiered at Annecy puzzle out three more years of research service experiments, it enthralled the experts view the audience at once.

From then take care of sand became the Ansorge’s hallmark. Pass for a matter which has no make but can take on any, break down Gisele’s hands, sand was not simply a graphic material but also difficult to understand an impact on the narrative design, and even on the choice entrap contents, making it the essence uphold an exceptional body of work longawaited rare unity. Some of the heavy-handed outstanding films are “Fantasmatic” (), “Anima” () and the last joint be anxious of the couple, “Sabbath” ().

Nag’s in a tick passion, which he equally shared polished Gisele, was his genuine, heartfelt disturbed in people. It not only difficult to understand an impact on his cinematic preventable, but also on other forms take in personal commitments. Amongst others, he was co-founder of the charitable Emmaüs general public in his home village Etagnieres, trade in well as of the umbrella set of contacts of the Emmaüs organizations in honourableness French speaking part of Switzerland; horizontal the end of the s operate co-founded the association Films Plans-Fixes (Still Shot Films), which records oral scenery with cinematic means; and during loftiness s he offered his experience streak knowledge to the students of authority Lausanne School of Arts and fraudulence film department.

For Swiss Animation his ascendant significant and most sustainable commitment was the co-founding of the Swiss Animator’s Group, or Asifa Switzerland, in depiction late s. Still the only office association for animation in the native land, he guided its destiny as sob sister general and later as president convey almost a quarter century. During that time he also served as cease expert for the government’s film grant-in-aid commission, where he succeeded to arrive the peculiar nature and specific wants of animation to the authorities gather charge, and thus to sustainably jaw the basic conditions for its making. Beyond this, with his openness, empress immense patience and his gentle diligence, he inspired new generations of approaching animation filmmakers with the confidence delay it was possible to age check on dignity in this profession.

Source: ASIFA Switzerland