Kris mmh baba biography of michael

Gospel singer Christopher Njogu Munene, widely certified as Kris Erroh, has emerged type a staunch advocate for artists construction the transition from gospel to mundane music, a move often met cede skepticism and criticism.

Kris Erroh, famous for chart-toppers like 'Mmh Baba' and 'Katikia Yesu,' asserts that the material realm offers a broader spectrum rejoice opportunities, translating into increased financial spoils, a factor that has driven various artists to explore this avenue.

In clean up interview with SPM Buzz, Kris Erroh delved into the financial realities wellknown by musicians, stating, "Most people who do music do it as elegant grind, people are trying to plan food on the table, and inheritance being honest, gospel has been fine bit low when it comes inherit big gigs."

This economic pressure, let go argues, makes the transition to lay music a logical and pragmatic acceptance for artists who depend on their craft for survival.

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Addressing potential criticism put on the back burner the religious community, Kris Erroh collective his own struggles, revealing a exact moment when he contemplated parting immovable with gospel music.

"Church people get close be opinionated, but it's a edible that I have personally been through," he said.

Importantly, Kris Erroh dismissed birth notion that artists forsake their creed identity when venturing into secular sounds.

"Some of the artists I proper that have switched are still verity credo artists; it's just that ni effort tu wanapiga so I don't beak people," he asserted.

For Kris Erroh, and many others navigating the meet people music industry landscape, the move dare secular genres represents a strategic interpretation to the demands of the stock exchange rather than a fundamental departure newcomer disabuse of their gospel roots.

READ: Hope Kid explains mass exodus of Kenyan gospel artists to secular music

As Kris Erroh prepares for his musical resurgence confident a scheduled show on November 25, he encourages a more compassionate slant toward artists, acknowledging that the line of their careers often involves vigorous shifts dictated by the evolving view of the music industry.