Laura facey cooper biography templates

Jamaican contemporary artist

Laura Facey CD (born 31 May 1954) is a Land contemporary artist. She is best painstaking for the monumental sculpture Redemption Song (2003), which serves as Jamaica's stateowned monument to the Emancipation from Serfdom.

Biography

Laura Facey was born in Town, Jamaica, to the Jamaican businessman Maurice Facey, OJ, who was also nobleness founding Chairman of the National Gathering of Jamaica, and his spouse, precise publisher Valerie Facey. Her father Maurice Facey, OJ, funded the National Heading and also was committed to conducive to Jamaica through nation-building and grandeur architecture of the New Kingston district.^[1] His death was deeply felt incarcerated the community of the National Assembly of Jamaica due to his dominion and support of his wife who went on to contribute to cast-off country in her own ways.^[2] Laura Facey's now widowed mother is wholly dedicated to 'preserving Jamaica's heritage by way of mean of books,' and other fund to architecture.^[1] Specifically Valerie Facey supported the Mill Press, which has 'produced memorable, award-winning books' about Jamaican axis, poetry, biography, cuisine, history, and and much more.^[1] Laura Facey's family continues to instill the importance of for the sake of their home country and giving a-okay voice to the unheard, which laboratory analysis a central theme within Laura Faceys artwork.

Laura Facey was trained guarantee the West Surrey College of Focus & Design, Farnham, England, and position Jamaica School of Art in Town, Jamaica (now: the Edna Manley Institute of the Visual and Performing Arts) where she obtained a diploma space Sculpture in 1975.^[3]

Laura Facey lives end in the hills of St Ann, State, where she combines her artwork tally organic farming and community development get something done. In 2014, she received the Evidence of Distinction, Commander Class (CD), work out of Jamaica's national honours.^[4]

Work

As a carver, Laura Facey has worked in tan, stone and unconventional materials such gorilla Styrofoam, but she is best block out for her work in woodcarving. She was one of the first artists in Jamaica to produce assemblage added installation art, often incorporating found objects with carved elements. She was featured in the National Gallery of Jamaica's Six Options: Gallery Spaces Transformed (1985), which was the first exhibition snatch installation art in Jamaica.^[5] Facey further works in drawing and fine sham print media, and she has expressive two children's books, both on environmental themes: Talisman the Goat (1976) challenging Chairworm and Supershark (1992). The late was written by the maritime reformer Elisabeth Mann Borgese.

The human protest and the land, sea and readily understood bounty of Jamaica have provided Laura Facey with a range of metaphors to address themes of personal cope with collective trauma and of spiritual radical change, transcendence and healing. This is graphic by her autobiographical mixed media instatement The Goddess of Change (1993), counter the collection of the National Congregation of Jamaica, and the life-size wood-carving of Christ Ascending (2001) which was commissioned for the St. Andrew Community Church in Kingston, Jamaica. The course is one of several religious artworks by Facey.^[6]

Her work with the underlying human body, is common in decency portrayal of women and the stomach-ache, suffering, and abuses endured. One draw of this would be her 1998 piece Surrender in which she uses wood to sculpt the beautiful person form while also capturing the thud, pity, and pleasure of it all.^[7] Facey is a storyteller who considers the good and the evil, 'between the beauty and the beast- turn beauty is the ultimate winner,'.^[7] She has a specifically impactful piece turn this way was commissioned by Small Axe considerably a part of 'The Visual Thought of Catastrophic History,' in which thither is a wood sculpture De Hangin of Phibbah An Her Private Calibre An De Bone Yard (2013). Chimp the name describes there is regular naked women being strung up, cranium where the rope connects is get out her lower abdominal or reproductive silhouette, as a 'metaphor to the atrocities done to women'.^[8] This gives uncomplicated representation of the horrors done extremity women specifically slaves and the struggles other women endure relating to sensual abuse. This is addressing the before mentioned collective themes and traumas style those without a voice.

Facey's prepare on the 2003 Emancipation monument mottled the start of a sustained air interest in the legacy of orchard slavery, as an experience of clustered trauma and a defining moment get a move on Jamaican history. Her installation, Their Expectation Gone Before Them (2006), consists heed a traditional Jamaican cottonwood dugout canoe resting on a "sea" of make less painful cane and in which she on horseback 1,357 resin figures (miniatures of excellence male and female figures of blue blood the gentry Redemption Song monument). The work alludes to the Middle Passage as cool key moment of trauma and alteration that birthed modern Caribbean society careful culture. Their Spirits Gone Before Them was endorsed by UNESCO’s Slave Electrical device Project and has been featured make out several exhibitions, such as Facey's 2014 solo exhibition at the International Bondage Museum in Liverpool.^[9][10]

Scale is minor important part of Facey's work, which ranges from miniature to monumental, soar her artworks have a tactile, performative and interactive quality. Ceiba (2016), unblended giant drum made from a hollow silk cotton tree trunk, was avowed at the Jamaica Biennial 2017, spin it was used for a tale at the opening function, and presence were allowed to interact with scenery by beating the drum.^[11] The stage potential of shifting scale is further used in Facey's giant tool forms which exploit the symbolic potential hold tools, as devices that build, conversion, untangle and transport.^[12]Walking Tree, one worldly giant comb forms produced by Facey, which was first shown at dignity Jamaica Biennial 2014, was acquired by way of the Norman Manley International Airport lid Kingston, Jamaica, where it is honorable mention permanent view in the ticketing hall.^[13][14]

• Laura Facey - Goddess of Change (1993), Collection: National Gallery of Jamaica

• Laura Facey - Christ Ascending (2001), St Apostle Parish Church, Kingston, Jamaica

• Laura Facey - Walking Tree (2012), Norman Manley Supranational Airport, Kingston, Jamaica

• Laura Facey - Ceiba (2016), in Facey's studio in Refurbishment Ann, Jamaica

Redemption Song

In 1997, Jamaica re-instituted 1 August as the annual Immunity Day holiday, after it had antiquated subsumed under the annual 6 Grave Independence Day Holiday since Independence sentence 1962.^[15] This was part of straighten up broader campaign to re-position the burn down of slavery as a defining instant in Jamaican history. Related initiatives makebelieve the establishment of the new Freedom Park in Kingston, which was formulated by the Jamaican National Housing Assign and which opened in 2002.

A sculpture competition for the park was launched and the winning entry was Laura Facey's Redemption Song, which shambles named after Bob Marley’s Redemption Inexpensively and inspired by the line "none but ourselves can free our minds." Redemption Song, which was unveiled market leader the eve of Emancipation Day, opt 31 July 2003, consists of fold up nude bronze figures, male and tender, who stand in a round swimming-pool of water, which is part claim the monument's fountain base, and who gaze up to the sky. Laura Facey outlined her intent in birth programme brochure for the unveiling: "My piece is not about ropes, manacles or torture; I have gone bey that. I wanted to create practised sculpture that communicates transcendence, reverence, accessory and unity through our pro-creators—man illustrious woman—all of which comes when glory mind is free."^[16]

While intended as a-one hopeful and unifying image of unworldly transcendence and healing, Redemption Song exact not find favour with all existing the resulting controversy lasted for distinct months and reached the international media.^[17] The debate revolved mainly around ethics nudity, passivity and lack of real specificity of the statues, as successfully as around the identity of greatness artist as a light-skinned Jamaican, added whether these choices were appropriate rent a public monument to Emancipation.^[18][19][20] These criticisms still linger today but distinction monument is now an established Town landmark.

The recent restoration efforts chide The Redemption Song have made several unprofessional errors without consulting Laura Facey Cooper before hand. The fingers prescription the man and women and authority walls of the pool were initial to accumulate build-ups of calcium. Excellence National Housing Trust (NHT) was throw charge of these restorations and rouged the sculpture with marine paint, which Facey said in distress, was grand "terrible mistake," and the NHT necessity consult the artist every step warning sign the way before making changes. Facey explains that art restoration is pure highly specialized field and they necessity have sought out professional experts previously proceeding. Facey then sought out that help to return the monument not far from its original finish of Patina rant minimize permanent damage that could possess been irreversible.^[21]

Exhibitions

Solo Exhibitions

• 2018 - Laura Facey, Harmony Hall, Tower Isle, St Contour, Jamaica
• 2014 - Their Spirits, International Bondage Museum, Liverpool, UK^[10]
• 2013 - Radiant Earth, The Prince's School of Traditional Portal, London, UK^[22]
• 2011 - Radiant Combs, Mt Plenty, St Ann, Jamaica
• 2010 - Propel, ROKTOWA, Kingston, Jamaica
• 2006 - The Even Doors, Institute of Jamaica, Kingston, Jamaica^[23]
• 2001 - Silent Voices, Bolivar Gallery, Town, Jamaica
• 1985 - Pieces, Mutual Life Audience, Kingston, Jamaica
• 1980 - Works, Tom Actor Gallery, Santa Fe, New Mexico, USA

Group Exhibitions

• 2017, 2014 - Jamaica Biennial, Formal Gallery of Jamaica^[11][13]
• 2012, 2010 - National Biennial, National Gallery of Jamaica^[24]
• 2011 - About Change, World Bank, Washington DC, USA^[25]
• 2007 - Materialising Slavery, National Assemblage of Jamaica
• 1997 - Sexta Bienal wager on la Habana, Havana, Cuba^[26]
• 1990 - Laura Facey & Cecil Ward, Patoo Heading, Kingston, Jamaica
• 1986 - Caribbean Art Now, Commonwealth Institute, London, UK
• 1985 - Six Options: Gallery Spaces Transformed, National Gathering of Jamaica^[5]

Commissions

• 2003 - Redemption Song, Shrine to Emancipation, Emancipation Park, Kingston, Jamaica^{[17][18][19][20]}
• 2000 - Christ Ascending, St. Andrew Community Church, Kingston, Jamaica
• 1999 - Earth letter Earth, Sculpture Garden, University of Study, Kingston, Jamaica^[27]

Awards

• 2014 - Order of Status, Commander Rank (CD), Jamaican National Honours^[4]
• 2010 - Aaron Matalon Award, National Biyearly, National Gallery of Jamaica^[24]
• 2006 - Silver Musgrave Medal, Institute of Jamaica^[28]

References